This Week In Disney

This has been a bit of a roller coaster of a week for Disney fans. So of course, I might as well reflect on it.


Series delay


Big Hero 6: The Series was originally supposed to be released in the US and Canada in March, but now that is not the case. In fact, the creators have absolutely no idea when it will start airing over here, other than the fact that when it does, there will be a lot of episodes ready to go. I can’t find it on the Twitter feed (but someone had screencapped it before), but apparently there’s a new ‘programming strategy’ in effect that’s delaying all the Disney TV shows.

This is very frustrating and part of the reason why my enthusiasm for the show has dropped. Having to wait SO LONG for new episodes only for them to come out just okay has really soured my feelings for the show. But more than anything, it shows that Big Hero 6 is not going to get the proper continuation it deserves with all the delays and hiatuses. Why do you think so many people would rather have a sequel?

But this is not really a new phenomena. Disney has always been crap with their treatment of TV shows. They tend to air shows at really crappy timeslots; the Tangled Series, which originally aired at a reasonable time on Sunday evenings, was suddenly switched to Saturday at 8am, when most people (kids and adults) would rather sleep in). The second season for Gravity Falls struggled to get off the ground, and the rarely give their shows, even the really popular ones, a proper DVD release (it took TEN YEARS for the second half of the second season of Gargoyles to come out on DVD). And of course so many of their other shows are still on hiatus (just look at the Ducktales Reboot).

What makes this weird is that apparently the show is airing early in Europe. Both the UK and Continental Europe are getting a LOT of hype for the show, with early access to shorts and even some of the episodes! I’m not sure if they’re run by different people there, or if Disney really wants to get the European market.

I’m not sure why the treatment of TV shows is so shoddy. If I had to guess, it might be because Disney doesn’t think the shows are as profitable or will have lasting value like their movies do. It’s hard to tell, but at some point, if they want to continue making shows and letting people watch them, they just need to start streaming them instead. They’re planning on launching a streaming network to rival Netflix in 2019, so they better use it to showcase ALL of their shows. It’s the least they could do. At any rate, the series isn’t really going to do the first BH6 movie justice at this point. Hopefully there will be some really good episodes to make up for the wait times.


FINALLY we get a clip of what to expect from Disney’s next movie and THIS IS SO EXCITING! I was initially worried they’d just post a very brief scene that wouldn’t even make it into the movie, but nope, we actually get to see Ralph and Vanellope traverse the world of the Internet!

So far, so good. The characters are in character, the animation is PHENOMENAL, and it even manages to have some dark humor that works (and don’t worry, Rich Moore confirmed that the bunny is okay). I can already tell there’s going to be a lot of social commentary about how we use the Internet along with the jokes (notice how the game the little girl plays has absolutely no educational value). I have faith Rich Moore can pull it off.

My only complaint is that they haven’t shown Yesss yet. I really want to know what she looks like and get an idea of what role she plays in the story.

But still, I’m excited as hell. The wait is going to hurt!


Since Disney cannot let Frozen go (pun intended), there’s going to be a sequel, probably in 2019. Yay?

Well, the latest buzz on the Internet is that Elsa might get a girlfriend!…sort of. According to director Jennifer Lee, she loves the #GiveElsaAGirlfriend momentum and how much Elsa means to LGBTQ audiences, and that she and her crew are very conscientious about it…but won’t confirm or deny anything. All she could say, in the vaguest way possible, that they’ll have to see what happens. (Source).

It would definitely be HUGE if Elsa got a female love interest, but I doubt Disney’s actually going to pull it off. They seem to be making progress with LGBTQ characters in television, but in movies, not so much. The hyped up Gay Lefou in the Beauty and the Beast remake is never openly said to be gay and dances with a man for about two seconds. I don’t know if Disney’s going to risk losing audiences for their biggest cashcow by explicitly giving Elsa a love interest or even saying that she’s lesbian or bisexual. If they DO I’ll be pleasantly surprised and give Frozen another chance, but, again, I have doubts. They’re more likely to just leave her single. I just hope they don’t give her a male love interest because that will add insult to injury. But we’ll see.

And finally, on February 27, Coco Day was celebrated at the Los Angeles City Hall! I don’t have much to say about it, other than holy shit this is probably the most important movie Disney and Pixar have made in a long time. Start HERE, and then look up more videos!

This has been a really awesome week for fandom in general (Overwatch announced a new hero!) but this is going to keep Disney fans satisfied for awhile. I’m definitely looking forward to where the company will go for 2018.


Why I’m Excited for Wreck-It Ralph 2, Less Excited for Big Hero 6: The Series

I love to analyze media. I love to challenge how people see things. I look to look at things from a different point of view. And I have no problems not being completely satisfied with everything that comes out and wanting more. So if I come across as hypercritical, it’s not because I’m constantly looking for something to hate. It’s because I believe everything should have high standards and be quality entertainment. It’s important to think critically about what you love and consume.

So with that in mind, because of how GOOD Big Hero 6 was, I set my expectations very high for the upcoming series and unfortunately, it did not meet them. I was able to see both Baymax Returns and an episode released for UK audiences (that of course the Internet managed to spread around the world) and I just didn’t like them.

Being as critical as I am, I couldn’t help but point out how ridiculous some of the plot elements were (so there are 80’s dancers in San Fransokyo who can control electricity like it’s nothing?) and how the overall tone and themes made it clear that it was meant more for kids. I’m not necessarily saying that’s bad, of course kids should have a show like this, but it proves to me I’m no longer the target audience and that the show is more of a fun, separate thing from the movie. (Remember, the creators made the show with the deliberate intention of generating hype for a sequel, which means that the show itself is not the actual sequel.)

I know the animation gets dragged a lot but I don’t really mind it too much (though there are times when it gets really stiff). What baffles me the most is that the design team took inspiration from 101 Dalmatians for the style. What the hell does that movie have to do with Big Hero 6? It’s way too angular and pointy for the first movie’s soft, round style.

But for me, the biggest reason why I cannot get into the show is because I HATE all the new characters. HATE.

Professor Granville, the replacement for Professor Callaghan at Hiro’s school, is one of those ‘tough but fair’ teachers that thinks being harsh on students is the best way for them to succeed. As someone who has had to deal with that type of person, I can say, no, we do not succeed when you are a hardass to us. Seeing her in the vicinity of one of my most beloved characters made me really uncomfortable. Fred has an 11 year old rival named Richardson Mole who creeps on Gogo (eww) and has a whole basement where he has games like Whack-a-Fred and video games that involve shooting at or beating up Fred. Again, that made me SUPER uncomfortable to see one of my fave characters like that.

Worst of all, there’s a new character called Karmi who is incredibly rude to Hiro (but is creepily obsessed with his superhero alter ego) that I’m supposed to sympathize because apparently she doesn’t have a support system in place. I don’t mind flawed characters, but when the first thing she does is talk about how Hiro is pathetic for liking Baymax because he’s not alive, I have absolutely no interest seeing her become Hiro’s friend.

See, Big Hero 6 is my ultimate comfort movie and the characters in it bring me so much joy. Seeing them have to deal repeatedly with characters who are bullies honestly hurts to watch. I know that may sound weird but as someone who has been bullied and identifies with these characters, that’s too much for me to handle. So, unfortunately, I cannot watch the show while it airs. I don’t even understand WHY all the new recurring characters need to be jerks when they’re already dealing with supervillains!

So yeah, it really sucks, but I cannot get excited for the show as much as I wanted to. Yet despite my feeling of dread and concern, I’m still excited as hell for Wreck-It Ralph 2. Why is that?

Well, I think I’m more confident in Wreck-It Ralph 2 because it’s a legit sequel made by the same production company (so we know it will be for everyone, not just kids) and made by the same people. Rich Moore wanted to make a sequel since pretty much when the first movie came out, so you know that he’ll be telling the story he wants to tell instead of handing it to totally new people. So I’m more comfortable knowing who is making the sequel.

And while I don’t like the new characters for the BH6 series I’m actually excited for a new character in the WIR sequel, Yesss. We don’t know much about her but from what I’ve heard from people who went to the D23 Expo, she’s probably Ralph’s love interest and not an absolute jerk.

See, having all new characters in the BH6 series seems a little superfluous since the first movie already had so many characters. I understand having the new teacher, but why do we need a character like Karmi when we need to develop the relationships between each member of the team first? Wreck-It Ralph has more room for a new character, and it would be interesting to see how a character from the Internet gets along with old video game characters.

The idea of Yesss being Ralph’s love interest is actually appropriate. Ralph has been really lonely for the thirty years of his existence and has been told that he’s ugly and worthless and bad. So, having a love interest that finds him desirable is kind of important. It would also be a realistic way to add an interesting conflict to the story: what happens when Ralph realizes he finds himself being romantically involved with someone, and how will Vanellope take it?

Am I still nervous for the sequel? Of course I am. (I’m a little worried that the crossover material will draw attention away from the main characters.) But I’m more comfortable because I know it’s the same people with the same standards of storytelling rather than completely new people having to rework something for children’s television.

So far it looks like I’m not the only person who is ambivalent towards the BH6 series. And that’s okay. You don’t have to like EVERYTHING about the show. You can just be okay with it. You can like it without having to justify it. You can dislike it! You can absolutely want more!

And it’s okay to not like the new characters, especially Karmi. I’ve seen people on social media gushing over how she’s a precious bean and must be protected (which strikes me as completely artificial given how aggressive she is to Hiro) and that you’re sexist if you dislike her. I scoff at that notion. While more representation for minority groups is important, you don’t have to like EVERY SINGLE ONE OF THEM, especially if they’re assholes or underdeveloped. You can demand better. You can demand more female characters that have more development and are kinder while being assertive and not be a misogynist.

Furthermore, you don’t have to like every follow up product to something you love. You can admit when something is flawed or just okay. You can dislike some aspects of it, or not like it at all. You can demand better stories, better characters, and better representation.

Never settle for crap when you can have gold.



Understanding My Fave (and Least Fave) Characters

Being as huge an animation fan as I am, I’m starting to realize that the more I like the characters, the more I’m likely to love their respective media. Consequently, if I absolutely despise the main character or too many characters, I’m not going to like their series one bit.

I love Teen Titans and Avatar: The Last Airbender because of how fleshed-out and likable all the main characters are. I like The Legend of Korra because even though I have some problems with the show, I do really love Asami and Korra. I don’t have the most comprehensive knowledge of Overwatch but I really love the character of Symmetra because she’s a beautiful and powerful autistic woman (and really all the women of Overwatch are beautiful and powerful how can I not love it). Cybersix is an okay show itself but Cybersix herself is amazing. And I have a lot of fave Disney heroines either from nostalgia or from personal empowerment (Belle, Mulan, Pocahontas, Vanellope, Honey and Gogo, and even Aurora). But I hate Steven Universe now because I really dislike most of the main characters (ESPECIALLY Steven, who’s become a mouthpiece for the writers) and the characters I DID love have been regressing into tropes (Garnet is mostly just Ruby and Sapphire in a trench coat and Peridot is nothing but comic relief).

So when it comes to my absolute faves, Big Hero 6 and Wreck-It Ralph, it’s probably not a coincidence that Hiro Hamada and Ralph are actually my fave characters of all time.

File:Wreck it Ralph pose transparent.png

Why is that?

Because, as someone who is autistic, has struggled with mental illness, has a limited social network, and is only NOW really starting to figure out my place in the world, I relate to these characters so, so much. Not to mention they’re brilliantly well written too.

Not only is Hiro absolutely adorable, but he’s also a brilliantly well written teen boy character. It would have been very easy to just make him another whiny teenager, but he’s not. At the start of the movie he becomes enthusiastic at the idea of bettering his life, even if he needs some encouragement. When his brother dies he doesn’t become all brooding and angsty, he becomes seriously and realistically depressed. He has trouble letting people in at first, but his world brightens up when he makes close friends and becomes a superhero. He hits a road bump when confronting the villain, but he’s able to let out his grief in a peaceful manner, is comforted, and gets back on the right path. Eventually he’s able to rebuild his closest friend and start his road to a promising future. For me, that kind of parallels my own life: how I was in a horrible mental stage for almost two years before this movie came out, and how I started my path to recovery. Now, for the first time in 22 years, I no longer feel like killing myself, I have a wonderful friend, and I’m determined to get a job as a social service worker. (Have you figured out why this movie is my absolute fave yet?)

And Ralph, man, he’s just such a good hero. He goes through a LOT of character development (going from a lonely but still kind of selfish ‘bad guy’ to a true hero who’s willing to sacrifice himself for the only person who was ever nice to him) and is someone I wouldn’t mind actually being with. Like I know a lot of people find Tadashi Hamada attractive, and while he is, I don’t really know Tadashi well enough. But Ralph? Not only is he big and burly and very cuddly, but you know he’d never leave you behind and would do anything for you, and you’d have a lot of fun with him.

But I think there’s another major reason. Both characters have their flaws. Ralph, being a bad guy, doesn’t always do the right thing or have the best sense of morality (he takes obvious enjoyment out of interrogating Sour Bill for information). Hiro initially wanted to partake in dubious bot fighting and was at one point enraged enough to actually kill a man. But despite their mistakes, they’re fundamentally good people and actively make an effort to change. They TRY to be better people.

The same cannot be said for some of my absolute least fave characters, Anna from Frozen and Joy from Inside Out, movies that I cannot stand.

Joy is just…a bully. I’m sorry, but she is. She is obsessively controlling over Riley’s brain and making sure she only feels HER emotion, nothing else. But she always pushes the blame on Sadness. On their road trip Joy is consistently rude and condescending to her, and even at one point is willing to let Sadness DIE just because “Riley needs to be happy”. It’s only when Joy realizes that Sadness is useful that she goes back to get her, but even then, she never actually apologizes to her or acknowledges that she was wrong. That just constantly made me uncomfortable and made me feel the wrong way.

And Anna…ugh. Anna literally makes everything all about HER. She constantly disrespects her sister’s boundaries, even when she’s trying to ‘help’ her. But does Anna actually love Elsa? Of course not. When Elsa kicks her out of the ice palace Anna doesn’t even acknowledge her sister until she’s literally about to die. I know I’m supposed to feel sorry for Anna and find her sacrifice meaningful but, like, it’s your sister, of course you’re going to want to save her. That doesn’t mean you actually LOVE her. I understand I have a HEAVY bias against Anna because I identified with Elsa and was upset that she wasn’t the main hero, but…yeah I don’t like Anna.

But you can see why I hate their specific type of character (cheerful quirky girl protagonist): they feel like the universe revolves around THEM. Hiro and Ralph have to realize that other people matter, too. They have actual character development and give a damn about others. Anna and Joy are ‘perfect’ and only care at the very last minute.

Anyway, this was slightly more personal than my other posts, but I felt like it was important to share.


Masculinity and the Disney Revival Era

The older I get, the less I feel attached to/need to defend the Disney Princesses. The only time I’ll get defensive is when a critic gets their characters completely wrong (Belle is not a victim of Stockholm Syndrome or pretentious), or claim they’re sexist by…making sexist statements (the original three Disney princesses are not ‘weak’ for being ultrafeminine and passive, it’s because they don’t get enough character development and screen time). They princesses I grew up with will forever hold a place in my heart, but I don’t worship them now like I did when I was a kid, basically.

So I guess that partially explains why I’m hyper critical of the new Disney Princess movies (The Princess and the Frog and onwards). I’ve talked in length on my issues with the new princesses themselves (Tiana should not have been a frog for most of the movie, Moana needed more character flaws, and Anna is literally just a quirky ‘relatable’ character that isn’t interesting at all), but for now let’s talk about the male roles in the Princess films compared to those of the non-Princess films.

Quick quiz: what do Naveen, Flynn Rider, Kristoff, and Maui all have in common, besides being the male leads of the recent Disney Princess films?

And at the beginning of their movies they are all extraordinarily rude and condescending to the female leads. While it is true that they all get better, the only one who’s character development feels the most believable is Flynn’s because he stops being rude to Rapunzel very quickly (after they escape from the Snuggly Duckling) and naturally grows more caring and concerned for her (and thus they grow an attraction to one another). By contrast, Naveen, Kristoff, and Maui are assholes to their respective female counterparts for almost the entire movie, and only stop when the girls either prove themselves to him or after a contrived moment. Kristoff falls in love with Anna right the hell out of nowhere, and Maui is suddenly all better right in time for the climax.

By contrast, look at Wreck-It Ralph. He has his flaws, but it is established at the very beginning that he had a hard life and wants to be loved and appreciated for who he is. When he meets Vanellope and Calhoun, he does NOT act like a jerk to them for no reason or behave like a sexist prick, even when they yank his chain. While he doesn’t think Vanellope is capable of being a racer at first, she doesn’t need to prove himself to him in order to make him sympathize with her; once he sees how bad her situation is he is willing to help out no matter what.

Why the huge difference?

Because, again, the Disney Princess movies have to have a contrived “Look how Feminist TM we are!” message hammered into the audiences heads after all the criticisms their predecessors got. The male characters feel less like characters and more like audience/critic surrogates. Oh, you think our Princesses are ‘weak’? Well fuck you, here’s our Princess doing something reckless to show how brave and strong she is!

This sucks because it makes it harder for me to get invested in their respective relationships. I love Belle and the Beast together because despite a rough start they find comfort and joy in one another. I love Aladdin and Jasmine together because they mutually respect and like each other and he’s willing to expand her horizon. I love Mulan and Shang together because they work efficiently as a team. And, ultimately, I do love Rapunzel and Flynn (or perhaps more appropriately, Eugene) together because they organically grow closer and will do anything for each other. By contrast…I’m supposed to like Kristoff and Anna together despite Kristoff being an absolute prick to her because they survived escaping Elsa’s palace and suddenly like each other? I’m supposed to like Maui and Moana as a friendship even though he demonstratively does not see her as an equal?

But what bothers me is that this is only happening with the Princess movies. Look at Calhoun and Felix, Ralph and Vanellope, or even Nick and Judy. Felix adores Calhoun from the moment he meets her, respects her boundaries, and helps her move on from her traumatic past. Ralph and Vanellope bond over being outcasts in their own games, enrich each other, and would die for one another.

And oh my god, Nick and Judy have some of the greatest chemistry between a male and female lead. They just work so well together, even when they don’t get along at first. Keep in mind, when Nick acts like a jerk to Judy at the beginning, she is always able to get her own back at him. We also understand WHY Nick acts like a jerk at first, and he is able to get better. And it’s not JUST him being a jerk to her; Judy also does something pretty shitty to him, and they BOTH have to make up to each other. In between that they make an excellent and engaging pair.

And of course I have to mention Big Hero 6. What makes that movie even more remarkable is that NO ONE is a jerk to anyone, AT ALL. Hiro, Aunt Cass, Gogo, Honey, Wasabi and Fred (and Baymax) all love and respect each other. No one needs to prove themselves to another. No one acts like a jerk to a woman because they perceive her as weaker. Everybody is equal.

In short, the insistence of making the male and female leads in Princess movies act antagonistically towards each other is just unnecessary and exhausting, and a half-assed attempt of making themselves look ‘progressive’ and ‘feminist’. So I’ll say this:

Women having to prove themselves to antagonistic men is NOT progressive.

Women and men having mutual respect for each other, seeing each other as equals, and working as a team? THAT is progressive.

And why Wreck-It Ralph and Big Hero 6 are my fave movies of all time.


My Love/Hate Relationship With the Disney Revival Films

Image result for disney revival

When John Lasseter and Ed Catmull took the reigns of Walt Disney Animation Studios in the late 2000’s after almost a decade of bombs, they ushered in a new age, known as the Disney Revival. Not only are these films huge critical and commercial hits, they are also beloved by many. The films that are officially considered part of the Disney Revival are The Princess and the Frog, Tangled, Winnie the Pooh, Wreck-It Ralph, Frozen, Big Hero 6, Zootopia, and Moana, with sequels to Frozen and Wreck-It Ralph on the way. (There’s another film called Gigantic which is constantly being pushed back, so who knows if it will actually see the light of day.) I have seen all these films in theatres and am probably not going to break the habit for the foreseeable future.

I have a weird relationship with this new era. Whereas I love pretty much every film from the Disney Renaissance era, I have mixed feelings for the Revival. If I could put them into tiers of fave, I’d make high tier (Big Hero 6 and Wreck-It Ralph, my faves), mid tier (Zootopia and Winnie the Pooh, the films I’m mostly neutral towards) and low tier (Frozen, The Princess and the Frog, and Moana, the films that I seriously dislike). (Tangled would fit somewhere between high and mid tier.) I think it’s because they are all extremely relevant to my life right now in terms of character and theme, and how they are handled can either make or break the movie for me.

Big Hero 6, Frozen, and Wreck-It Ralph all came out at very crucial points in my life, when I was deeply depressed. (I’m going to skip over The Princess and the Frog because I think I’ve already said everything I wanted to about it before, and I don’t have much to say for Tangled or Winnie the Pooh at the moment.) Wreck-It Ralph helped me a lot because, in addition to being a damn good movie, the characters of Ralph and Vanellope resonated with me very strongly. They were both shunned by the people around them, and I could definitely see it as because they were coded to have a disability or disorder (in my view, autism). I cheered for Vanellope when she became a champion racer, and I cried for Ralph when he became accepted for who he was.

A similar situation happened with Big Hero 6. At that point I was neck deep in my depression and the movie’s message that people will love you and you can get better when you are in a bad mental state meant a lot. The film never fails to make me happy due to the frenetic action, amazing directing, beautiful animation, and lovable characters.

By contrast, when Frozen came out (I was in the midst of my depression) I was…really offended by it to be honest. Okay, you have Elsa, a character who is severely mentally ill and clearly the much more interesting character than Anna, and you don’t even focus on her? You don’t let her be the hero? You constantly show her fucking up and sinking deeper into her misery? And then suddenly she’s better with one act of love (but not really, as the shorts reveal she’s constantly blaming herself and trying to make Anna happy)? And she only gets to use her powers for the most mundane things? Yeah, that wasn’t the kind of message I wanted at that point in my life. That, and the film was the definition of overhyped.

When Zootopia came out, I had mixed feelings for it. I thought it told a fun mystery story with great chemistry between the two leads, but it wasn’t really that great at portraying the message of prejudice and tolerance. I think for me it was because predators and prey are too broad to neatly symbolize as white people and people of colour; there are legit reasons for prey to not want to always trust predators, and you can be both a predator AND a prey in nature. When it first came out I was still a bit of a social justice warrior, so I was hypercritical of it at first, but now that I’ve moved on from that movement my feelings towards the film have calmed down a lot. I think the film got a little overrated, but it’s still enjoyable enough, even if I don’t go out of my way to see it.

Moana on the other hand, is not enjoyable for me. Full disclosure: I was SO hyped for this film, I thought it was going to be a masterpiece and an ultimate fave, that it would be the greatest Disney movie ever, and when I finally got to see it, I was left with a feeling of great disappointment. And I think I finally know why: it’s the only Disney Revival movie to come out (aside from Frozen) that feels like it was aimed SQUARELY at little girls. Everything just feels really dumbed down. There’s a lot of TELLING rather than showing, the story and conflict is really simplistic and stupid (Moana thinks something’s wrong with her because she wants to go sailing?), there’s a lot of comic relief and some cliches (of COURSE Moana and Maui are going to fight at a crucial point in the movie but he’ll come back at the climax), and Moana is so devoid of flaws or interesting development that she’s clearly meant to be a shallow Girl Power TM mascot than an actual character. The whole film just feels more juvenile than the others. I guess most of this praise the movie gets is from nostalgia value, which I can definitely appreciate, plus it’s a movie that takes a look at non-white/non Western culture with some truly gorgeous visuals (although, I think some people ONLY like this film and Princess and the Frog because the main characters aren’t white). But for me, that is not enough.

I guess overall I can say that whereas the non-Princess films are trying to take risks and be more interesting, the Princess films are just there to make a lot of money from little girls and nostalgic millennials. This bothers me because previous Disney films were meant to enjoyed by the WHOLE family. Beauty and the Beast isn’t just a film for little girls, it’s a work of art that people of all ages and genders can enjoy. Snow White and the Seven Dwarfs was a movie that got EVERYONE into animation. But now it seems that Disney feels that the princesses are just meant to be safe, marketable, and deliver shallow girl power messages. As an adult Disney fan who wants to see these films as actual films and not just cartoons for kids, that’s disappointing–but also why I latch onto Big Hero 6 and Wreck-It Ralph so easily.

So you’ll understand why I’m so excited for Wreck-It Ralph 2 and not excited for Frozen 2, and won’t be excited for any more princess films either. I don’t know what kind of film Gigantic will be like so we’ll see.

And with that, these are my final thoughts/explanations on why I like some of the new Disney films better than others. You don’t have to agree, but I’m not going to change my mind. This is my current stance on the matter.

Beyond that, I am definitely going to be excited and curious for other movies in store for us in this era and how they’ll have an impact on my life.


Why I’m Okay With Ralph Getting a Love Interest

This past weekend, the D23 Expo took place, allowing Disney fans to take an exclusive look at all the upcoming projects. One project that got a particular amount of hype (after the Kingdom Hearts 3 trailer) was an exclusive look at Ralph Breaks the Internet: Wreck-It Ralph 2.

From what we know so far (and keep in mind things can and will change), a wifi router is plugged into the arcade to boost attendance, and something breaks in the Sugar Rush game. Vanellope and Ralph go to the internet to find something to fix it, and meet a wide array of new worlds and characters. One major character they meet is an algorithm from a Buzzfeed knockoff site called Yesss, who guides them around the strange new world. There’s also a potential plot point of Vanellope meeting the Disney Princesses on the Disney fan website, OhMyDisney, and revealing that she feels a little overshadowed by Ralph.

A lot of people are hyped, but also nervous as hell. I get a little annoyed that some people are already expecting the worst when they haven’t even seen anything yet, but one thing that makes me really agitated is the revulsion people have towards Ralph and Yesss potentially becoming a couple (people who went to the expo report that Ralph was clearly in awe of her).

Why am I upset?

Because Yesss is extremely likely going to be a black woman.

She has been described as having an afro, and is voiced by Taraji P. Henson, a black woman. Given how the first WIR film got criticisms for being overwhelmingly white, it is extremely likely Yesss is either going to be black or black-coded.

When was the last time you saw a lot of good black female characters in animation? With natural hair? Who weren’t just aggressive and sassy? And who was able to have a proper romance that didn’t either dissolve or was pushed aside for the main white couple? In Disney’s history, they’ve only really had Tiana, and that isn’t enough, especially with her being a frog for most of the movie.

You can see how her being in a romance with Ralph is going to be important. Seeing a black woman be loved in a interracial relationship in a major Disney movie is going to have a HUGE impact.

But apparently for some people that’s not good enough. “Ralph doesn’t need a love interest” or “he should be with a man” or “Ralph being with a woman of colour is acceptable but not good”.

Can you see how that might be an issue I have?

Now, we don’t know for sure that this couple will be endgame. Ralph could fall in love with her and she could reject him and they’d still be friends, or she might be the main villain. We don’t know. But if she IS going to get together with Ralph, it’s kind of shitty to get angry over it.

The most important thing is that Ralph and Vanellope’s friendship will get stronger as a result no matter what happens. Until then, let’s wait until we get more information to pass judgement.


The opening title for Big Hero 6: The Series dropped and it looks AWESOME. But people still want a sequel, so, hop to that, Disney. Watch it here:


‘Wreck-It Ralph’, ‘Big Hero 6’, and the Importance of Self Care

Mental illness is pretty prevalent among users of social media, so self care posts are often made and passed around in an effort to help people. They tend to be cutesy reminders to eat, wash, that they’re worthwhile, that strangers love them, etc.

At first, I thought these were wonderful. But when I found myself in my deepest, darkest depression, I didn’t find these helpful at all. And now that I’m in a better place mentally, I (and other members of my family, who also have their mental health problems) kind of find these self care posts a little patronizing and condescending.

And what bothers me the most is that there’s this major cognitive dissonance because for all the people who keep passing around saccharine self care posts, they don’t seem to do anything about it afterwards. They often make posts on how they’re so depressed all the time, that they want to die, that they’re awake all night and sleep all day, and such. There seems to be this pervasive attitude that once you’re on your own, you’re REALLY on your own. No meds or therapy unless you REALLY need it (because apparently all doctors are untrustworthy), not even support. There even seems to be a negative attitude towards seeking help and comfort from parents, which would make sense when parents are genuinely abusive, but social media tends to make all parents out to be The Worst. Basically, young people feel the need to be on their own and only seek help from their peers, who, while they can certainly offer some support, can’t entirely help you in the long run. Or they don’t seek help at all, and just wallow in their depression and share self-care posts in an attempt to feel better.

When I was in my darkest hour, things were pretty bad. I did feel better with talk therapy, but I could not for the life of me partake in cognitive behavioral therapy. I was too scared to take meds, and didn’t really want to do anything while I waited for different doctors appointments.

And then the intrusive thoughts came.

If you don’t know what exactly intrusive thoughts are, it’s like having nightmares during the day. Basically, whenever I tried to think about something I like, something gross or disturbing would barge itself into the thought and wouldn’t go away. That was when I knew I HAD to get help. I HAD to take action. And I did. Now, I’m medicated, I see a social worker every few weeks, I make efforts to drive and get out of the house, and I go to school, and I’m searching for work. None of that wouldn’t have happened if I had just accepted my lot in life.

And that’s what I feel is wrong. I feel like all these depressed people feel like they HAVE to be depressed or anxious or such. And that’s not true. If your mental illness prevents you from living life, you cannot just accept it. You NEED to go out and do something about it, even if it means getting help from your parents and doctors. There’s nothing wrong with that.

For those of you who have trouble finding an epiphany as a motivator, I suggest re-watching Wreck-It Ralph and Big Hero 6 and really pay attention to them.

Ralph is lonely, depressed, is stuck in a shitty job with bosses and co-workers who don’t appreciate him, has a crummy living situation, and has trouble with food and hygiene. You know what he did? He sought to change it. He knew he couldn’t accept this anymore. So he went out to change his life. And while he couldn’t fully change it, he now has a support system in place, he reaches out to people, and has made amends with his job and has a better living situation. He’s taking things ‘one game at a time’.

Hiro is depressed after the death of his brother and doesn’t eat, is tired a lot, and doesn’t want to leave his room or go to school. A healthcare robot and four wonderful (older) friends reach out to him and give him all the love and support he needs. By letting them in and realizing his own mistakes and the importance of actively doing things to help others, Hiro makes a wonderful recovery, even if he still misses his brother.

The important thing about both movies is that both characters are valid and loved and are getting the help they need. But they got that help by either seeking it out or accepting it when it was offered, both of which are things people in real life can learn from.

Mental illness is a lifelong battle, but it doesn’t have to define you or hold you down. And when you watch these movies again, take in how the characters get better and see how you can apply that. Because things will get better, but they won’t get better unless you TRY.